Resizing (including size-changing, miniaturization, magnification, shrinking, and enlargement), is a theme in fiction, in particular in fairy tales, fantasy, and science fiction.
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Alice's Adventures in Wonderland has repeated resizing themes, where Alice grows or shrinks as she eats foodstuffs or drinks potions.
In the Nintendo Franchise videogame series Mario, Super Mario 3D Land and Mario Kart or Super Smash Bros. Melee and Super Smash Bros. Brawl, the power-up resizing transformation items, Super Mushroom, Poison Mushroom, Mega Mushroom, Mini Mushroom and Lightning Bolt, can make characters grow and shrink for three times. In Luigi's Mansion the power-up resizing transformation items, Poison Mushroom can make Luigi shrink to a smaller size for three times.
The magical girls uses magical transformation resizing powers, Hime-chan's Ribbon is Japanese Asian cartoon show Anime/Manga.
The imaginary surreal characters are resizing in magical fiction such as Adventure Time is Animated cartoon show.
There is also the magical resizing when Grand Duke grows into giant size, he transforms himself into a resizing tornado, and he shrinks into a miniature version of himself in the animated musical film Rock-a-Doodle.
There are many examples of resizing in Chinese fiction such as Journey to the West.
Common causes of excessive growth in fiction include poisons of various kinds and radioactive contamination. Other causes are the drinking of chemicals, being shot by a growth ray, or by will.
The novel The Food of the Gods and How It Came to Earth by H. G. Wells describes a kind of food that can accelerate and extend the growth process, which when introduced to the world causes great upheavals. In Wells' novel, giants have great powers, and they seek to continue growing and improving; only the small people with their small minds stand in their way. This is a symbol of social groups with great potential suppressed by mainstream society, and an expectation for them to eventually change the world (through a radical way). Though one of Wells' lesser-known works, many of the features of the novel have been incorporated into other works.
Excessive growth is often described as result of advance in biology (in Wells' novel, for example, the food was developed by two biologists). In reality, excessive growth is usually related to some illness; victims of fictional excessive growth, however, are generally more than healthy, and have powers proportionate to their size (in the same way that the physical limitations related to size in reality are ignored).
In science fiction/horror B-movies, particularly in the 1950s and 1960s, enlargement of people or creatures to monstrous size (often accomplished via radiation) was a common theme. Films featuring enlargement include Attack of the 50 Foot Woman, The Amazing Colossal Man, Village of the Giants, The Food of the Gods, 1954's Them!, and Tarantula. Bert I. Gordon is the filmmaker most closely associated with this genre. More recently, Disney released Honey, I Blew Up the Kid, which involves a toddler who grows tall when exposed to electricity, and causes panic in Las Vegas.
In the recent Japanese production "Dai-Nippon-Jin" ("Big Man Japan") the protagonist is the latest in a dynasty of heroes who can grow to enormous size to fight equally huge monsters.
In the music video of Relient K's "(Marilyn Manson ate) My girlfriend", a gigantic Marylin Manson eats the band's girlfriend and the band has to go into Marilyn Manson to save her.
Probably the best-known example of resizing in comic strips is a series of Calvin and Hobbes strips where Calvin grows bigger than a galaxy.
In the science fiction film Monsters vs. Aliens, Susan Murphy grows to giantess size when exposed to quantonium.
In the children's book, Clifford the Big Red Dog, Clifford starts out as a small puppy who grows up to become a giant dog.
The shrinking is usually accomplished using a machine of some kind. For example, in the films Fantastic Voyage and Innerspace, in which the miniaturized protagonists travel through the human body, the machine looks something like a Star Trek transporter, and is large enough to accommodate the target. On the other hand, in the film Honey, I Shrunk the Kids, the machine looks like a laser device which operates near the target. In some works, a shrinking machine can enlarge as well, and vice versa. For example, in Honey, I Blew Up the Kid, a shrinking machine makes a toddler 100 feet tall. Both types of machine normally have the ability to reverse the shrinking process (though sometimes, as in Fantastic Voyage, the reversal happens automatically after a certain period).
In 1940's Dr. Cyclops, the protagonists are reduced to less than a foot in size by the titular mad scientist, and are subjugated to his whims. 1957's The Incredible Shrinking Man inspired a boom in science fiction films that made use of size-alteration in the late 1950s and the 1960s, and also inspired a comic remake in 1981's The Incredible Shrinking Woman.
In the Star Trek: The Animated Series episode "The Terratin Incident", a ray of unknown origin strikes the Enterprise and causes everyone aboard to begin gradually shrinking. Spock explains this as the gaps between molecules reducing, though only in organic material such as flesh and the crews' algae-based xenylon uniforms. When Captain Kirk beams down to the planet from which the ray emanated, the effect of the transporter restores him to normal size.
In The Super Dimension Fortress Macross anime series, miniaturizing cloning technology known as micloning (maikuro-n ka in Japanese) plays a significant role in the coexistence of a giant alien race called Zentradi and humanity.
In Marvel Comics, "Pym particles" (named for their inventor, Henry Pym, variously known by the superhero identities Ant-Man, Giant-Man, Goliath and Yellowjacket) cause physical matter to shrink or enlarge by shunting mass into, or drawing mass from, another dimension. In addition to Pym, a number of other superheroes have used Pym particles to change their size, including the Wasp (Pym's ex-wife), the second Goliath, Black Goliath, the second Ant-Man, and the second Yellowjacket. Pym also designed a prison for supervillains that was dubbed "the Big House", in which superhuman criminals who could not be normally incarcerated were shrunken down to six inches in height.
In DC Comics, the equivalent characters are the various individuals who go by the superhero name, The Atom. In particular of these people, Professor Ray Palmer is the foremost authority in size and molecular density changing technology.
In the novel Charlie and the Chocolate Factory, in The Television Room when Mike Teevee uses to shrink into the tiny chocolate bar size after the Taffy Puller.
In the videogame Harley's Humongous Adventure, the title character is miniaturized justifying fighting against giant rats and other such odds and relying on thumtacks as weaponry.
In the Science Fiction My Favorite Martian, when Tim shrink into tiny size takes the to the spaceship home with him the martian following.
In the 2008 comedy film Meet Dave, the humanoid aliens controlling "Dave" are one inch tall.
In the 2010 film Tooth Fairy, the main character is given a shrinking paste which he uses to shrink to a tiny fairy size.
In the 2001 Animated film Jimmy Neutron: Boy Genius, the shrinking remote control when the teacher and Jimmy Neutron shrink into ant size.
In the 2010 Animated film Despicable Me, when Gru steal the shrink ray.
In the Cartoon show Micro Ventures, when they use shrinking machine to shrink themselves and their dune buggy to miniature size.
In the Fantasy Musical film Babes in Toyland, they using shrink gun when they shrink into tiny toy size.
Size-changing has recently been seen as a sexual fetish with the advent of the internet. Macrophilia/Microphilia, and to some extent vorarephilia are rooted in size-changing fiction.[1][2]
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